Welcome to New Reads for the Rest of Us for November 2018!
With these monthly lists, I aim to amplify the books written by those who are historically underrepresented including, but not limited to: womxn, women of color, women from the Global South, women who are Black, Indigenous, dis/abled, queer, fat, immigrants, Muslim, sex-positive, and more. My lists meant to be intersectional, feminist, and trans-inclusive. I also want to highlight books by gender non-conforming people (who may or may not be described by the term “womxn”).
If you’d like to learn more about which books I focus on, see my Review Policy. These are just guidelines and I reserve the right to include (or not!) any books I see fit. I usually add to this list as I learn of others; if you have a suggestion, please share it in the comments below!
So here’s New Reads for the Rest of Us for November 2018. These lists are getting long; I may have to start dividing them up! There are so many great titles here, which will you read??
Tags: Historical fiction, pregnancy, women writers, China
Carolrhoda Lab, 232 pages
“A powerful view into the struggles faced by young women in a world that doesn’t value them–and where they must find strength within themselves and each other.”–Joanne O’Sullivan, author of Between Two Skies
“Queering Kansas City Jazz offers a new and exciting perspective on the jazz scene that accompanied the growth of Kansas City from frontier town to metropolitan city during the early twentieth century. It will potentially change the way in which we understand regional identity and recognize those who were pushed into the margins of our social histories.”—Tammy Kernodle, professor of musicology at Miami University and author of Soul on Soul: The Life and Music of Mary Lou Williams
Tags: Literature, literary criticism, women writers
Ohio State University Press, 156 pages
“Black Love, Black Hate is the first book to uncover the role of intimate antagonisms in the ongoing production of African American literature. Felice Blake teaches us how African American literature becomes a type of ‘town meeting that cannot meet anywhere else.’”–Margo Natalie Crawford, author of Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics
“You’ll come away from each chapter with a new appreciation of what Beyoncé has meant to women, particularly black women, across the country.”–The Current
“Sure to appeal to scholars and pop-culture enthusiasts alike, this provocative book works to blur the lines between straight and gay black feminism. . . Lively and intelligent reading.”–Kirkus Reviews
Tags: Afghanistan, military, women writers, biography, history
Da Capo Press, 275 pages
“[The] story of the fight for women’s rights in a country where the male power structure opposes them…Compelling. The author’s own military experience gives the book a perspective that is especially useful. A solid, fact-filled look at an underreported piece of the American military.”–Kirkus Reviews
Tags: Women writers, Canadian history, Canada, First Nations, Native Americans, Inuit
University of Chicago Press, 272 pages
The author intends to donate all royalties from this book to the Elders’ Room at the Angmarlik Center in Pangnirtung, Nunavut.
“Weaving together stories told by Inuit men and women with those set down by white men who chased whales, wealth, and adventure, Do You See Ice? lets us consider what it has meant to travel, to be lost, to be homesick, and finally, to be home.”–Ann Fabian, author of The Skull Collectors: Race, Science, and America’s Unburied Dead
“With rich mythology and elegant atmosphere, Empress of All Seasons will latch onto your imagination and sweep you along for a magical and dangerous ride.”–Joelle Charbonneau, New York Times best-selling author of The Testing Trilogy
Tags: Korea, women writers, #OwnVoices, coming of age, family
Houghton Mifflin Harcourt, 304 pages
“I felt as though I had stepped into a graceful story of two countries, South Korea and America, and family ties that survive the challenges of history.”–Krys Lee, author of How I Became a North Korean
“What an extraordinary time to read this heartfelt novel about the bonds of family, set against the backdrop of the Korean War. Eugenia Kim is a masterful storyteller who makes her characters come to life as she spans decades, continents, and cultures.”–Jung Yun, author of Shelter
“The poems are haunting reflections on a mother’s murder, the ravages of Hurricane Katrina, an early 20th-century prostitute in New Orleans, a regiment of black soldiers guarding Confederate POWs, mixed-race families and the black working class. The opening poem, a new one, titled ‘Imperatives for Carrying On in the Aftermath,’ ends with an emotional punch to the gut that sets the tone for what follows.”–Atlanta Journal-Constitution
Tags: Politics, literary, contemporary women, women writers
Viking, 256 pages
“Genius. That’s what I kept thinking as I read this novel that somehow combines an invented island, a political bookstore, fragments of a stage production, and a story that’s at once a damning critique of craven self-interest and a tale about our inescapable connectedness. Idra Novey has written an irreverent, magical, perfect puzzle of a book.”–Cristina Henriquez, author of The Book of Unknown Americans
Tags: Queer, Black women, oral history, US history
University of North Carolina Press, 592 pages
“An amazing work that reflects Johnson’s passion, care for his subjects, sharp analytical skills, and standing in the field.”–Beverly Guy-Sheftall, Spelman College
Tags: Literary fiction, women writers, Latinx, debut
Feminist Press at CUNY, 224 pages
“A deeply personal mythology interwoven with the fibers of LA, simultaneously shaped by and shaping our city, Nikki Darling’s Fade Into You is a poetic portrait of a young girl’s life in the Angeleno multiverse.”–Alice Bag, author of Violence Girl
“Told with exuberance and honesty, First Comes Marriage is a charming, delightful memoir of love and self-discovery. Huda Al-Marashi has written a smart, down-to-earth, and unforgettable modern-day love story that celebrates the enduring bonds of culture, faith, and family. A wonderful book.”–Jasmin Darznik, New York Times–bestselling author of Song of a Captive Bird
“Gina Apostol—a smart writer, a sharp critic, a keen intellectual—takes on the vexed relationship between the Philippines and the United States, pivoting on that relationship’s bloody origins. Insurrecto is meta-fictional, meta-cinematic, even meta-meta, plunging us into the vortex of memory, history, and war where we can feel what it means to be forgotten, and what it takes to be remembered.”–Viet Thanh Nguyen, Pulitzer Prize-winning author The Sympathizer
“[Roy] is a writer of great subtlety and intelligence, who understands that emotional power comes from the steady accretion of detail….[All the Lives We Never Lived] does not directly refer to #MeToo or the macho hyper-nationalism of today’s India. But in its portrayal of power structures, it is part of those very contemporary political conversations. It is also a beautifully written and compelling story of how families fall apart and of what remains in the aftermath.”–Kamila Shamsie, The Guardian
“There’s no doubt that both Sabine and Rebecca want the same thing. But how do you help the most important person in your life when they don’t want to need your help?
Ask Me Again is the must-read sequel to the best-selling Don’t Ask, Don’t Tell.”–Description
“When screenwriter Julie Carter accidentally spills hot coffee all over her, lawyer Cameron Kassen is convinced that her day can’t get any worse. But Cameron’s mood quickly improves when Julie starts to flirt with her. Only in town for a couple of days, they both lament that the flirtation can go nowhere.
Fiction mirrors reality and when Julie decides to add a surprise alternate ending to the story, Cameron is presented with a puzzle. Only by solving it will she be able to unlock the ending Julie intends just for her…but will it also unlock her heart?”–Description
Last Days of Theresienstadt by Eva Noack-Mosse with Skye Doney (Translator) and Biruté Ciplijauskaité (Translator)
November 20
Tags: History, memoir, Holocaust, women writers, nonfiction, #OwnVoices
“Includes the rare account of someone involved in the continuing administration of the camp after the war, facing the issues of epidemic and quarantine and coping with the inquiries from relatives seeking any word of their family members’ fates.”–Christopher Browning, author of Remembering Survival
Tags: Translation, women writers, China, literary fiction, #OwnVoices
Yale University Press, 288 pages
“Ambitious . . . masterful . . . Can Xue’s superb experimental novel is sure to keep readers hooked.”–Emily Park, Booklist
“Love in the New Millennium is, as always with Can Xue’s work, a marvel. She is one of the most innovative and important contemporary writers in China and, in my opinion, in world literature.”–Bradford Morrow, author of The Prague Sonata
Tags: Nigeria, Black women, women writers, debut, humor, #OwnVoices
Doubleday, 240 pages
“Who is more dangerous? A femme fatale murderess or the quiet, plain woman who cleans up her messes? In My Sister, the Serial Killer, Oyinkan Braithwaite answers that question with an original and compelling debut. I never knew what was going to happen, but found myself pulling for both sisters, as I relished the creepiness and humor of this modern noir.”–Helen Ellis, New York Times bestselling author of American Housewife
“As someone who was called a tomboy growing up as well, it gives invaluable and often ignored insight into the life of a trans masculine person. Strong, powerful and a valuable resource about the importance of supporting trans youth, regardless of their gender expression.”–Fox Fisher, film maker, artist and campaigner
Tags: Women writers, short stories, science fiction
Orbit, 416 pages
“The stories are wonderful. In worlds both invariably cruel and brilliantly imagined, heroism thrives in the margins.”–Nicky Drayden, author of The Prey of Gods
“Andrea Gibson’s latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson’s career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.”–Description
Tags: Violence, feminism, India, #OwnVoices, women writers
The New Press, 224 pages
“If the #MeToo campaign is to have any lasting impact . . . it will be because of books such as this.”–Preti Taneja, author of We That Are Young
“The right to our own bodies is the first step in any democracy, and by that measure, women in general—especially those of us also devalued by race, caste, or class—are still subject to an intimate dictatorship. Read the personal stories in What We Talk About When We Talk About Rape and see how far we have come—and have yet to go.”–Gloria Steinem
“Only a fraction of what is known about Madison’s earliest African American settlers and the vibrant and cohesive communities they formed has been preserved in traditional sources. The rest is contained in the hearts and minds of their descendants. Seeing a pressing need to preserve these experiences, lifelong Madison resident Muriel Simms collected the stories of twenty-five African Americans whose families arrived, survived, and thrived here in the late nineteenth and early twentieth centuries.”–Description
Those are the New Reads for the Rest of Us for November 2018! What are you reading this month??
Welcome to the October 2018 New Reads for the Rest of Us!
With these monthly lists, I aim to amplify the books written by those who are historically underrepresented including, but not limited to: womxn, women of color, women from the Global South, women who are Black, Indigenous, dis/abled, queer, fat, immigrants, Muslim, sex-positive, and more. My lists meant to be intersectional, feminist, and trans-inclusive. I also want to highlight books by gender non-conforming people (who may or may not be described by the term “womxn”).
If you’d like to learn more about which books I focus on, see my Review Policy. These are just guidelines and I reserve the right to include (or not!) any books I see fit. I usually add to this list as I learn of others; if you have a suggestion, please share it in the comments below!
So here’s the October 2018 New Reads for the Rest of Us list. These lists are getting long; I may have to start dividing them up! There are so many great titles here, which will you read??
Tags: Memoir, Native American (Confederated Salish Kootenai Tribes), women writers, family, adoption, #OwnVoices
University of Nebraska Press, 352 pages
“One Salish-Kootenai woman’s journey, this memoir is a heart-wrenching story of finding family and herself, and of a particularly horrific time in Native history. It is a strong and well-told narrative of adoption, survival, resilience, and is truthfully revealed.”–Luana Ross (Bitterroot Salish), codirector of Native Voices Documentary Film at the University of Washington and author of Inventing the Savage
Tags: Women writers, memoir, Native American (Crow Creek Sioux), education, Indian studies
University of Nebraska Press, 232 pages
“As a Native intellectual and a Dakota intellectual, Elizabeth Cook-Lynn constructs indigeneity as well as her own life while deconstructing U.S. settler-colonialism. She is one of the world’s experts on the subject area, which gives the subjective text a solid foundation. The book is beautifully written, poetic, lyrical, a signature style. It is truly a brilliant work.”–Roxanne Dunbar-Ortiz, author of An Indigenous Peoples’ History of the United States, winner of the American Book Award
“Lorna has travelled around the world to produce this collection of illustrations of street art in urban landscapes. Visiting London, Bristol, Helsinki, Berlin, Cairo, Bethlehem, New York, Los Angeles, Detroit, Christchurch, Melbourne, Painted Cities demonstrates how the architecture shapes the unique street art in each city and tells the story of the painters and people who live there.”–Description
“Fiction. Latinx Studies. Women’s Studies. Translated from the Spanish by Suzanne Jill Levine and Aviva Kana. A fairy tale run amok, The Taiga Syndrome follows an unnamed female Ex-Detective as she searches for a couple who has fled to the far reaches of the earth.”–Description
Tags: Memoir, women writers, politics, Kenya, history
Potomac Books, 288 pages
“Prudence Bushnell’s name is not household familiar—but it should be. She was at the center of one of the most infamous terrorist attacks on American people and property in history. And she was a woman in the highest ranks of the State Department when such a thing was rare. She tells her story with integrity and intelligence—and gives lessons on leadership based on life experience.”–Barbara Kellerman, James MacGregor Burns Lecturer in Leadership, Harvard Kennedy School
Tags: Child marriage, #OwnVoices, women writers, Yemen
Hawaa Ayoub, 416 pages
“Hawaa Ayoub, author of When a Bulbul Sings, has experienced the traumas of forced child-marriage first hand. She hopes to raise awareness through writing about child-marriage.”–Author biography
Tags: Adoption, Korea, family, women writers, memoir, #OwnVoices
Catapult, 240 pages
An Indies Introduce Pick
The Rumpus, What to Read When You’ve Made It Halfway Through 2018
The Millions, Most Anticipated in the Second Half of 2018
“In her memoir, All You Can Ever Know, Nicole Chung takes the qualities that make her writing sing―warmth, inquisitiveness, and deep personal investment in the words she types―and turns them inward. Her debut is an investigation into her past in which she aims to leave no stone―or emotion―unturned.”–Shondaland
“The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we ‘need to know about the lives of others.'”–Description
“Lively, compelling . . . the raw, informal approach to the subject matter will highly appeal to young people who crave understanding and validation . . . This highly readable and vital collection demonstrates the multiplicity of ways that mental health impacts individuals.”–Kirkus Reviews
Tags: Memoir, women writers, immigration, Latinx, #OwnVoices
Atria, 336 pages
“Candid and emotionally complex, Grande’s book celebrates one woman’s tenacity in the face of hardship and heartbreak while offering hope to other immigrants as they ‘fight to remain’ and make their voices heard in a changing America. A heartfelt, inspiring, and relevant memoir.”–Kirkus Reviews
“Reyna Grande’s A Dream Called Home is a moving memoir about building a family, becoming a writer, and redefining America. Writers in need of inspiration should read this book.”–Viet Thanh Nguyen, Pulitzer Prize winner and New York Times bestselling author of The Sympathizer
Tags: Dance, history, feminism, women writers, biographies
Counterpoint, 336 pages
“Zemeckis has once again given us a fascinating history of entertainment, a bold story of two brave women and the origins of the fan dance. A page-turning time machine to another era. Don’t miss it.”–Sara Gruen, New York Times bestselling author of Water for Elephants
Footprints in the Dust: Nursing, Survival, Compassion, and Hope with Refugees Around the World by Roberta Gately
October 2
Tags: Women writers, globalization, politics, activism
Pegasus Books, 304 pages
“Roberta Gately calls herself nurse, a humanitarian aid worker, and a writer. To that list I would add hero. Her willingness to step outside herself, to see and feel the pain of others is as inspiring as it is admirable. Gately nimbly uses tools of a novelist to tell this story, and as a result, the people she writes about spring fully to life in our imaginations. Here is a book filled with compassion, wisdom and yes, grace. Read it and weep.”–Yona Zeldis McDonough, author of The House on Primrose Pond
Tags: Nonfiction, politics, Black women, women writers, #OwnVoices
288 pages
“For Colored Girls is basically part history book and part biography but wholly significant. I’m so glad this book exists because the stories of these 4 women, who were instrumental in so many moments of history needed to be told. I’m honored that we can take a sip of their life tea in this way, because what they’ve done and been a part of are the watershed moments of this nation’s contemporary politics. It also doesn’t hurt that it’s super juicy. The transparency of The Colored Girls as they tell their stories, is admirable. Thank you for showing Black girls and women, that we too belong in the rooms we’re in.”–Luvvie Ajayi, New York Times-bestselling author of I’M JUDGING YOU: The Do-Better Manual
“A true spiritual seeker must eventually search inside her own self. This Zainab Salbi does with great consistency and courage in Freedom Is an Inside Job. Sharing her discoveries with determination and resolve, she demonstrates what is possible for anyone who sincerely desires to be part of a new imagination for changing the world.”–Alice Walker,author of The Color Purple and The World Will Follow Joy
“Good and Mad is Rebecca Traister’s ode to women’s rage—an extensively researched history and analysis of its political power. It is a thoughtful, granular examination: Traister considers how perception (and tolerance) of women’s anger shifts based on which women hold it (*cough* white women *cough*) and who they direct it toward; she points to the ways in which women are shamed for or gaslit out of their righteous emotion. And she proves, vigorously, why it’s so important for women to own and harness their rage—how any successful revolution depends on it.”–BUZZFEED
“Readers of all ages, across the globe and socioeconomic spectrum, can find an icon to look up to within these pages. Filled with strength, this collection is incredibly inspiring and will instill in teens a take-charge attitude and powerful mind-set.”–School Library Journal, Starred Review
Tags: Violence, Illinois, addiction, #OwnVoices, women writers
“A riveting, raw, and brutally honest portrayal of a roller-coaster street life fueled by gang violence and drug addiction; a real page-turner that sucks you in from the get-go and takes you on an adventure you can only imagine in your wildest dreams. Awe-inspiring and nothing short of a miracle, Bianca is a force to be reckoned with and an unlikely heroine and role model. She has proved that nothing is impossible and it’s never too late.”–Vera Ramone King, author of Poisoned Heart
“Microaggressions are brief, everyday exchanges that send denigrating messages to certain individuals because of their group membership (e.g., race, gender, culture, religion, social class, sexual orientation, etc.). These daily, common manifestations of aggression leave many people feeling vulnerable, targeted, angry, and afraid. How has this become such a pervasive part of our social and political rhetoric, and what is the psychology behind it?”–Description
Tags: Black women, poetry, women writers, #OwnVoices
Atria, 256 pages
“Presented in both English and Spanish, Alice Walker shares a timely collection of nearly seventy works of passionate and powerful poetry that bears witness to our troubled times, while also chronicling a life well-lived.”–Description
Tags: Thriller, short stories, contemporary women, women writers
Coffee House Press, 224 pages
“There’s plenty of darkness and a sprinkling of magic, and these strange, flinty, cigarette-stained narratives speed by, offering lots of surface tension and compelling deeper passions.”–The Guardian
“This book is truly special. Not only do the authors present the problems, but they also offer potential solutions and inspirational tools that are so crucial in driving the conversation forward. Their charming tone combined with the incisively detailed breakdown of all the ways in which the patriarchy affects women make Unladylike a must-read.”–Morgan Jerkins, author of This Will Be My Undoing
Tags: Violence, education, women writers, #OwnVoices, Florida, journalism
Crown Books for Young Readers, 272 pages
“A journalistic look at the shooting at Marjory Stoneman Douglas High School in Parkland and the fight for gun control–as told by the student reporters for the school’s newspaper and TV station.”–Description
“To fight for her future, she must first discover the magic of her past
Once great and powerful sorcerers, the Amasiti were hunted to the brink of extinction by the Hir and his followers. For four hundred years, their legacy faded from memory waiting for the hope of Aferi to be renewed…
In the Land of Yet
At the edge of the Forbidden Forest
A young woman lives alone.”–Description
The Broadcast 41 is a must-read book for media scholars who want to understand the historical origins of entertainment media as a powerful reinforcer of sexism, racism and classism in American culture.–Caroline Heldman, Associate Professor of Politics, Occidental College
Tags: Native American, YA, romance, race, #OwnVoices, women writers
Candlewick Press, 304 pages
“New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school — and first love.”–Description
“The Long Term is a powerful collection of voices, curated and edited by a powerful line-up of veteran organizers and radical thinkers. The writers in this collection make a compelling and eloquent case against ‘the prison nation’ and give us a glimpse of the resistance and the alternatives that are already in the works.”–Barbara Ransby, historian, writer, activist and Distinguished Professor of African American Studies, Gender and Women’s Studies, and History at the University of Illinois at Chicago
“With its stellar mix of personal experience and hard-won advice, Tolokonnikova’s guide is sure to fuel social movements for years to come.”–Publishers Weekly (starred review)
Tags: Black women, contemporary women, women writers, short stories, Washington DC
The Feminist Press at CUNY, 248 pages
“Camille Acker navigates the lives of young African American girls and women in Washington, DC with humor, heart, and grace. I loved these stories.”–Lisa Ko, author of The Leavers
“A devastating and subtle portrayal of what it is to be black and female in America: the ache, the rage, the sorrow, the unending will to rise.”–Shobha Rao, author of Girls Burn Brighter
Tags: Debut, women writers, queer, short stories, women of color
“White Dancing Elephants is a searing and complex collection, wholly realized, each piece curled around its own beating heart. Tender and incisive, Chaya Bhuvaneswar is a surgeon on the page; unflinching in her aim, unwavering in her gaze, and absolutely devastating in her prose. This is an astonishing debut.”–Amelia Gray, author of Isadora
“Gender and racial politics were at the center of the 2016 US presidential contest between Hillary Clinton and Donald Trump. Contributors to the volume examine the ways that gender and racial hierarchies intersected and reinforced one another throughout the campaign season.”–Description
“How do you imagine trans liberation while living in a cis world? On My Way To Liberation follows a gender nonconforming body moving through the streets of Chicago. From the sex shop to the farmers market, the family dinner table to the bookstore, trans people are everywhere, though often erased. Writing towards a trans future, H. Melt envisions a world where trans people are respected, loved and celebrated every day.”–Description
Tags: Lesbian, queer, US history, literary criticism, women writers, feminism
University of North Carolina Press, 241 pages
“In this essential study of southern literature, Jaime Harker uncovers the complex networks of affiliation, sometimes antagonistic and sometimes loving, that shaped southern lesbian feminism, and the rich literary archive that women in these networks produced. A must-have for any reader.”–Michael Bibler, Louisiana State University
Tags: Gender, anthropology, women writers, nonfiction
Polity, 120 pages
“Taking on the long brewing battle between true democracy and the pervasive ‘ghost’ of patriarchy, this compact book exists in a category of its own. The voices of its authors are accessible, incisive and engaging – the perfect book to launch almost any conversation about our current socio-political times.”–Jill Gentile, author, Feminine Law: Freud, Free Speech, and the Voice of Desire
Tags: Humor, essays, Black women, women writers, #OwnVoices
Plume, 336 pages
“Phoebe Robinson brings her infectious charm and utterly delightful sense of humor to her second essay collection, Everything’s Trash, But It’s Okay. From body image to contemporary feminism to our culture of overwork, Robinson offers deft cultural criticism and hilarious personal anecdotes that will make readers laugh, cringe, and cry. Everything may indeed be trash but writing like this reminds us that we’re gonna make it through all the terrible things with honesty, laughter, and faith.”–Roxane Gay, New York Times bestselling author
“An authentic and accessible guide to understanding—and engaging in—today’s gender conversation.”–Description
In Your Hands by Inês Pedrosa and Andrea Rosenberg (Translator)
October 16
Tags: Translation, women writers, Portugal, historical fiction, literary fiction, queer
AmazonCrossing, 205 pages
“In Your Hands is another work in the fine tradition of European literature. Told from a definite feminist perspective it focuses on the inner feelings of its principal characters, each a finely drawn and vital woman as they navigate the turbulent times of twentieth-century Portugal.”–Writers & Readers Magazine
“By forcefully interrogating the problematic notion of the Rainbow Nation, and by daring to address the broken promise of an ANC in dire need of strong leadership, Memoirs of a Born Free is a must read—a book that reveals just how inadequate political freedom without socio-economic freedom truly is.”–Independent Online (South Africa)
Tags: Music, Black women, women writers, #OwnVoices, memoirs
Atria Books, 272 pages
“Tina Turner—the long-reigning queen of rock & roll and living legend—sets the record straight about her illustrious career and complicated personal life in this eye-opening and compelling memoir.”–Description
Simon & Schuster Books for Young Readers, 368 pages
“[T]ruly intersectional and…a useful guide for activists inspired by this work…A smart, honest, and comprehensive education on movement building and menstrual rights.”–Kirkus, starred review
“If you’re looking for a way to turn your anger about gender inequality into action, this book is a must read. You’ll learn a great deal about menstrual inequities and the intersectional impacts created because of our failure to address them. This is a how-to handbook on what you can do to change that.”–Former state Senator Wendy Davis
“Most writers hide in memoirs, sharing little real stories. With generous openhearted honesty, courage, and compassion, Soloway invites us to hear true stories. They share the difficult painful revelations, triumphs, and failures. Listening to them, readers laugh, cry, love, and most important, learn.”–bell hooks
Tags: Nonfiction, work, women writers, Black women, US history
Univ Of Minnesota Press, 176 pages
“Thursdays and Every Other Sunday Off is an exploration of the lives of African American domestic workers in cities throughout the United States during the mid-twentieth century. With dry wit and honesty, Vertamae Smart-Grosvenor relates the testimonies of maids, cooks, child care workers, and others as they discuss their relationships with their employers and their experiences on the job.”–Description
Tags: YA, Islam, racism, family, identity, women writers
HarperCollins, 320 pages
“Mafi tackles the life of an American Muslim teenager in the wake of 9/11 in this visceral, honest novel. Shirin’s captivating story opens a window onto a different narrative than the one typically dominating airwaves after 9/11. Rich characters, incisive writing, and a powerful story will thrill readers.”–Booklist (starred review)
What We Owe by Golnaz Hashemzadeh Bonde and Elizabeth Jane Clark Wessel (Translator)
October 16
Tags: Literary fiction, family, women writers, translation, Iran
Mariner Books , 208 pages
“I read this ferocious novel in one sitting, enthralled by the rage of its narrator. Nahid confronts her own suffering with dark humor and noisy honesty, while taking aim at a patriarchal tradition that expects her to be silent.”–Leni Zumas, author of Red Clocks
Tags: Education, women writers, Chicago, US history, #OwnVoices
“…Ewing gives direct voice to those served by those schools often dismissed as failing. What she finds is that these schools are often among the last working institutions in neighborhoods which have been systematically stripped of everything else. Mixing history, sociology, and even memoir, Ghosts in the Schoolyard is an important addition to any conversation about the future of public schools and those they were designed to serve.”–Ta-Nehisi Coates
Tags: Politics, Chicago, US history, women writers, education
University of North Carolina Press, 344 pages
“This is a brilliant and necessary expose of a collision that we all know too little about. Using Chicago as a case study, Elizabeth Todd-Breland shares the devastating collision between Black community-based education reformers and corporate education reformers since the 1960s. Black education organizing comes alive–and fights on and on against all odds–in this expertly framed and vividly told book.”–Ibram X. Kendi, National Book Award winning author of Stamped from the Beginning
“Wedding bells are ringing for Kat Morehart―just not her own. When the church she works for refuses to let a gay couple marry in the sanctuary, she aims to make it up to them by offering her home as the perfect venue. Caterer Wendy Archer enjoys the business Kat directs her way and their friendship even more. As they work together to create the perfect setting for the wedding, Kat and Wendy struggle to fight what simmers between them.”–Description
Tags: Lesbian, women writers, science fiction, romance
Bella Books, 304 pages
“What is terrorizing a nature preserve near a small town in rural Idaho? Half the town believes it’s the Lake Lowell Ghost and the rest are convinced it’s a diabolical beast. With no end in sight, they need help. Can two women work together when one faces east toward logic and the other faces west toward the realm of impossibility? In an age where science and facts rule, blind trust can be a lot to ask of anyone.”–Description
“The Mental Load, a feminist comic by Emma, takes readers on a journey of awakening that is at once delightfully whimsical and frustratingly serious. The graphic stories take aim at the way women’s unpaid caregiving and labor is invisible, undervalued and expected at home, and how it shapes and limits their experiences and career trajectories at work. An eye-opening gem.”–Brigid Schulte, award-winning journalist, author of the New York Times bestselling Overwhelmed: Work, Love & Play when No One has the Time
Tags: Black women, women writers, politics, mystery
All Points Books, 336 pages
“A moving and unflinching portrait of a city and its many layers of power…Taylor has created a hero we see all too rarely: black, female, powerful.” —Tim Teeman, Senior Editor of The Daily Beast
Tags: China, women writers, short stories, #OwnVoices
“With insight, compassion, and clarity, May-lee Chai vividly illustrates the reverberations of migration―both physical and psychological; between countries, cities, and generations; and within families and individuals. You won’t forget these characters.”–Lisa Ko, author of The Leavers, finalist for the National Book Award in Fiction
“A wicked and witty send up of Asian-American Silicon Valley elite, a delightful debut that Jane Austen would have approved of.”–Micah Perks, author of What Becomes Us
“Astute…[Wang] brings levity and candor to the tricky terrain of family dynamics, aging, and excess [and] expertly considers the values of high-tech high society.”–Publishers Weekly (starred review)
“There is so much to relate to and throughout the novel, there is a sharp feminist edge. Loved this one, and you will too.”–Roxane Gay, New York Times bestselling author
“As an unapologetic fan of a great rom-com, This is Kind of an Epic Love Story gave me all I was looking for, including the one thing that’s challenging to find—a beautiful LGBTQ love story. Kheryn’s novel is hopeful, romantic, and everything my gay heart needed!”–Angelo Surmelis, author of The Dangerous Art of Blending In
Tags: Literary, essays, Black women, women writers
Ballantine Books, 224 pages
“A brilliant collection of essential American reading . . . smart, powerful, and complete.”–Min Jin Lee, author of the National Book Award finalist Pachinko
Hope you find something of interest on the October 2018 New Reads for the Rest of Us – What will you be reading this month?
This post includes affiliate links but I write what I like.
This year I have committed to reading and reviewing books mainly by womxn writers but when I received an advanced proof of Kevin Powell’s latest book, My Mother. Barack Obama. Donald Trump. And the Last Stand of the Angry White Man., I decided to make an exception.
Despite Kevin Powell having authored 12 previous books, this is the first one of his I am reading. I initially encountered Powell during his time on The Real World in the 90s and kept loose tabs on his writing career since. I have enjoyed some of his essays in Vibe and other outlets throughout the years so was excited to read this new book.
The author, Kevin Powell.
The book is a collection of 13 of Powell’s articles and blog posts from the last couple of years. The essays are cogent reminders and reflections of events from pop culture to politics, from Tupac and Prince, to gender and masculinity, to mental health and police brutality, all through the eyes of Kevin Powell.
And Powell doesn’t let us forget who he is: born and raised by a single mom in impoverished Jersey City, no father figure, university dropout, drunk, suicidal, and burnt out by 30 and against all odds now a sober and accomplished writer, committed activist, and desired speaker who has visited all 50 states and 5 of 7 continents. While overcoming the barriers he has is impressive, if there’s any part of Powell’s writing that loses me, it is this slip into self-indulgence that sometimes occurs; Powell has a way of inserting himself and his experiences into almost any subject he writes about.
Part of this, I believe, is just his writing style; people write about things they know and things that resonate with them. It may also be that Powell is still working through past transgressions – his own and others’ – and this is his way of making sense and making amends. Because these essays were originally published as stand-alone pieces, it is understandable that he would provide context in each one.
In the end, I found this quirk of Powell’s to be a minor distraction against the overall strength and passion of this writing. In fact, there are times when the confessional style really works, such as in “JAY-Z and the Remaking of His Manhood. Or, the Crumpled and Forgotten Freedom Papers of Mr. Shawn Carter,” where Powell strives to understand manhood and gender-based violence through the relationships of his mother and father, Beyoncé and JAY, and John Lennon and Yoko Ono.
On the whole, I really dig Kevin Powell’s writing and certain elements really resonate with me. One is the variety of styles with which he is willing to experiment, be it a conversational blog style as in “Why is Baltimore Burning?,” a letter format as in “Letter to a Young Man” and “A Letter to Tupac Shakur,” or an impassioned essay like his “Will Racism Ever End? Will I Ever Stop Being a Ni**er?”
Powell published his autobiography in 2015.
I appreciate the repetition, timing, and poetic phrasing in his work which is reminiscent of the cadence of his heroes Malcolm X or Muhammad Ali, or of the musical qualities of Black preachers I heard one chilly Sunday morning in Alabama. I covet the pure and unabashed passion with which Kevin Powell writes. He’s not afraid to show his sensitivity which gives me hope for the future of (cishet men’s) writing. I also appreciate Powell’s ability to write broadly and deeply about a subject, taking his time to display his detailed and thorough understanding, while still making it accessible to the general public.
There is usually a lot of meat to what Powell writes. He ties personal experiences in with his subjects; he refers to other events, current and historical, and he weaves in music, art, politics, and more so that his pieces can feel like experiences. The essay, “Hamilton, OJ Simpson, Orlando, Gun Violence, and What the 4th of July, Alton Sterling, Philando Castile, and the Dallas and Baton Rouge Police Shootings Mean to Me,” is so much more than a summary of his experience attending the play Hamilton on Broadway and what it meant to him. And there is a paragraph (pages 146-147 in the advanced proof copy) in his piece about JAY-Z’s album 4:44 that is the epitome of how I wish I could pen a review. Powell not only entices you to understand where he is coming from on a topic, but he challenges you to critically reflect on where you stand on it and why.
It probably won’t be surprising that one of the essays I most enjoyed is entitled, “Re-defining Manhood: Harvey Weinstein and How his Toxic Manhood is our Toxic Manhood, too.” In this piece, Powell takes responsibility for his own transgressions – that time he pushed a former girlfriend into a bathroom door – and explains how male privilege takes hold of boys early on and subsequently develops into ubiquitous notions of toxic manhood as they grow up. He discusses the #MeToo movement and how actions of men like Harvey Weinstein, men like Kevin Powell, and all men, can harm and wound women in ways that must end and can only end when men take action to help support women and fight against sexual violence and harassment.
And this, finally, is where I believe real change must start, with me, with Harvey Weinstein, with all men: a willingness to listen to the voices of women and girls, and a willingness to take ownership of our behavior, to say we are sorry, that we want to learn, that we want to heal and do better and be better (page 222).
Throughout the book, Powell doesn’t shy away from the exploration of his own manhood and calls on others to do the same.
Until the final essay of the book, Powell mentions the current president of the US only briefly in several of the essays, despite his name being included in the book title. I found this essay, after which the book is named, one of the most intriguing. He begins with an honest yet delicate reflection on his mother, his absent father, how the two fell in love, and how the history of violence and mistreatment of Blacks in the US has shaped the present. He goes on to explore politics and the presidency of Barack Obama as well as how this systemic oppression makes change infuriatingly slow in this country. All of this led to the election of current administration which, while a tragedy, is by no means a surprise to black and brown people of the US.
Because this is not really about the American people, this is really about a system that is built to protect a few at the expense of the rest of us (page 266).
Now it is incumbent upon all of us to work towards permanent change which, according to Powell, won’t come without people being as outraged by injustices done to others as they are when they are done to themselves. It won’t come until we begin to follow the leadership of Black women and women of color; it won’t come until White women admit to and challenge our own racial and class privilege; it won’t come until we all rethink how we view and treat women, people of color, poor people, LGBTQ people. This essay is the best example of why Powell calls this book “the autobiography of America” (page 261).
Kevin Powell’s latest book is a collection of reflective and impassioned essays from a veteran observer and chronicler of music, politics, race, gender, and current events. It will appeal to wide audiences and may be most enjoyably read in multiple sittings so the reader can digest and reflect upon each piece. Individual readings could readily be assigned in special topics or intro courses covering race, and other sociocultural issues, politics, and gender and women’s studies. This book is recommended.
This post contains affiliate links; I write what I like.
Quotes refer to the Advance Uncorrected Proof and may or may not reflect the final version of the book. Many thanks to Kevin Powell and Atria Books for the ARC.
I’ve finally caught up with this season of The Walking Dead. Like many of you, my partner and I are watching Wild Wild Country which is such a strange story that I had actually never heard before. We love Santa Clarita Diet with Drew Barrymore; it is hilarious. Oh and I also loved the documentary, Seeing Allred, about the indomitable Gloria Allred. It’s a Netflix original and you should watch it.
What are you reading and watching? What are your thoughts on these articles? Comment below and let me know!
Title: 
